this month's
Ink Pellet contains
The National Plan for Drama and Theatre Education
Following feedback from drama teachers, educators and other interested parties, The National Plan for Drama and Theatre Education document is now completed and you can find a direct link to the pdf here. This is a mammoth achievement and a feat of collaboration. It has been widely circulated including to the DfE Team, whose members are also […]
BROADWAY LICENSING GLOBAL OFFERS UK TEACHERS FREE PERUSALS FOR HARRY POTTER AND THE CURSED CHILD SECONDARY SCHOOL EDITION
The Critically Acclaimed Show Has Now Been Adapted for UK Secondary Schools (London)—Broadway Licensing Global London, Sonia Friedman Productions, Colin Callender and Harry Potter Theatrical Productions are thrilled to announce that secondary school teachers can now sign up for a free perusal script of Harry Potter and the Cursed Child Secondary School Edition. BLG London […]
A Final Haunt
After 33 extraordinary years, Susan Hill’s The Woman in Black will haunt the stage of the Fortune Theatre for the final time, as the production ends in the West End on Saturday 4th March 2023. PW Productions announce that after 33 extraordinary years in London’s West End, the theatrical sensation that is Susan Hill’s THE […]
Reaching for the Moon
Susan Elkin paid a visit to Half Moon theatre in London’s East End to chat with CEO Chris Elwell about their extensive education outreach and innovative theatre programmes. Half Moon Theatre sits in the heart of Limehouse in the London Borough of Tower Hamlets, spitting distance from the DLR and mainline station. Formerly a pretty […]
National Youth Theatre Rep Company
The National Youth Theatre’s Rep Company is celebrating its first ten years and Susan Elkin paid a visit to learn more. Each year a group of fifteen or so talented NYT members, aged 18 to 25, are selected by audition to join this company. In just a few months they rehearse three shows, many of […]
Apprenticeships
An important and often overlooked route into the industry, especially for many non-performing roles. Susan Elkin has some suggestions. Theatre is like an iceberg. For every role on stage there are probably at least half a dozen technicians you can’t see. And the industry has been telling us for decades that there are skills shortages […]
School Shows
Never underestimate the power of a school production – for every single person involved. When you meet former students, sometimes from decades back in my case, it’s usually taking part in Oliver! or A Midsummer Night’s Dream that they reminisce about with shining eyes. Most importantly it’s a terrific bonding exercise. We hear a lot […]
New Perspectives
With three separate Lucian Freud exhibitions currently on, Graham Hooper took time to visit and here is his review of these contrasting shows. LLucian Freud would have been 100 this year, and that’s a good excuse to look back over his life and work, but especially his work, as the two have a rather nasty […]
Grandad Anansi – Half Moon Theatre
Predicated partly on Black History Month, Elayne Ogbeta’s muliti-layered play presents Grandad (Marcus Hercules) and his primary school age granddaughter, Abi (Jazmine Wilkinson) in his garden. Like everything else in this show, the garden designed by Sorcha Corcoran, is beautiful with lots of colour, light and plants that Grandad knows by name and talks to. […]
Theatre Review – The King of Nothing – Little Angel Theatre
Ben Glasstone’s charming, witty account of The Emperor Who Has No Clothes works well for two main reasons. First it is one of the most perceptive stories ever written, dealing as it does with vanity, self delusion, conformity and truth. It’s both topical and timeless. Second, we have a cost of living crisis and the […]
Sidebar
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Funny how knowledge of Shakespeare is shaped by which play you study at school. For me, this was The Merchant of Venice and Hamlet (thank goodness). Later came the discovery of King Lear, Othello, Macbeth; and now as editor of Ink Pellet, I have been fortunate enough to see many more (Much Ado, The Tempest […]
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Review by E Mountfort I have to confess that I am not a big fan of musicals. I understand why students like The Lion King (maybe because of the film) and it does seem to be the case that if a play doesn’t have music it’s boring. I have bitter memories of this. So it […]
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Published by Luath Press Ltd Review by Robbie Dhillon (Year 10 Norton Knatchbull School, Ashford) In a post-apocalyptic world where humanity has been torn apart by oil wars and devastating fl oods, Last Days in Eden follows the story of sixteen year-old Flora Mandela, a survivor, spending her life selling goods at her home, Shell […]
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The Carnegie-award-winning novel was a little tough for Lesley Finlay...
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The Art of Being Normal is published by David Fickling Books this month. Allison Johnstone took a look...
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Actor Jeremy Swift has graced our screens and stages over the years and won a role in the television series of the moment, playing Spratt in Downton Abbey. Now he is back on stage as Mr Perks in The Railway Children. Here he shares a snapshot of a day in rehearsals...
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Lesley Finlay catches up with Michael Morpurgo and finds him in reflective mood...
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A charity has been working hard to make sure children with reading problems are ‘secondary fit’. MALOU BENGTSSON-WHEELER from Beanstalk explains..
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Happy birthday to Ink Pellet! Lesley Finlay gives a brief history of the magazine...
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