this month's
Ink Pellet contains
A Final Haunt
After 33 extraordinary years, Susan Hill’s The Woman in Black will haunt the stage of the Fortune Theatre for the final time, as the production ends in the West End on Saturday 4th March 2023. PW Productions announce that after 33 extraordinary years in London’s West End, the theatrical sensation that is Susan Hill’s THE […]
Reaching for the Moon
Susan Elkin paid a visit to Half Moon theatre in London’s East End to chat with CEO Chris Elwell about their extensive education outreach and innovative theatre programmes. Half Moon Theatre sits in the heart of Limehouse in the London Borough of Tower Hamlets, spitting distance from the DLR and mainline station. Formerly a pretty […]
National Youth Theatre Rep Company
The National Youth Theatre’s Rep Company is celebrating its first ten years and Susan Elkin paid a visit to learn more. Each year a group of fifteen or so talented NYT members, aged 18 to 25, are selected by audition to join this company. In just a few months they rehearse three shows, many of […]
Apprenticeships
An important and often overlooked route into the industry, especially for many non-performing roles. Susan Elkin has some suggestions. Theatre is like an iceberg. For every role on stage there are probably at least half a dozen technicians you can’t see. And the industry has been telling us for decades that there are skills shortages […]
School Shows
Never underestimate the power of a school production – for every single person involved. When you meet former students, sometimes from decades back in my case, it’s usually taking part in Oliver! or A Midsummer Night’s Dream that they reminisce about with shining eyes. Most importantly it’s a terrific bonding exercise. We hear a lot […]
New Perspectives
With three separate Lucian Freud exhibitions currently on, Graham Hooper took time to visit and here is his review of these contrasting shows. LLucian Freud would have been 100 this year, and that’s a good excuse to look back over his life and work, but especially his work, as the two have a rather nasty […]
Grandad Anansi – Half Moon Theatre
Predicated partly on Black History Month, Elayne Ogbeta’s muliti-layered play presents Grandad (Marcus Hercules) and his primary school age granddaughter, Abi (Jazmine Wilkinson) in his garden. Like everything else in this show, the garden designed by Sorcha Corcoran, is beautiful with lots of colour, light and plants that Grandad knows by name and talks to. […]
Theatre Review – The King of Nothing – Little Angel Theatre
Ben Glasstone’s charming, witty account of The Emperor Who Has No Clothes works well for two main reasons. First it is one of the most perceptive stories ever written, dealing as it does with vanity, self delusion, conformity and truth. It’s both topical and timeless. Second, we have a cost of living crisis and the […]
Book Review – Activist
by Louisa Reid Published by Guppy Books Cassandra, narrator of this powerful verse novel, is a reluctant sixth former in a prestigious mixed school, formerly all boys, where toxic culture simmers. Driven by her own experience, and by nature a feisty “shouter” she campaigns forcibly for acknowledgement that some of the boys at school treat […]
Book Review – A Poetry Pedagogy for Teachers: Reorienting Classroom Literacy Practice
by Maya Pindyck and Ruth Vinz, with Diana Liu and Ashlynn Wittchow The thrust of this detailed, well-researched, quite academic book about the poetry in classrooms is that we shouldn’t teach students to search for meaning so that “the poem becomes a specimen for examination under the microscope of interpretative practices”. Instead we should experience […]
Sidebar
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It’s a pity therefore that this production of a fine musical doesn’t always feel as sparky as it should. One senses that – the dancers in the wedding scene for instance – are still mentally reading their choreography notes. And far too many performers – Tracy-Ann Oberman as Golde for instance – have been cast […]
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The Royal Exchange Theatre is an iconic landmark in the heart of Manchester with a strong pedigree of plays and a close link to its schools and communities. Mark Glover spoke to the organisation’s new Director of Learning and Engagement Inga Hirst about reaching out to those beyond the bright lights of the city.
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Graham Hooper looks at the work of award-winning sculptor Rachel Whiteread, whose work is on show at Tate Britain from 12 Sept – 21 Jan
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This term, 99 special schools will be taking part in the annual Shakespeare Schools Festival out of a total of just over 1000 schools of all types. Susan Elkin found out more.
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How important is it to teach young people that life isn’t always perfect and what role can fiction play in gently conveying this message? Mark Glover spoke to author Matt Haig about how the bad times in his novels are just as important as the good ones.
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Opera companies are engaging with more young people and schools, utilising the varied learning opportunities offered. Susan Elkin extolls the benefits of opera in education.
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A new initiative offering on the job theatre training for aspiring young actors is starting in January. Susan Elkin found out more and advises you take a closer look.
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Karen Latto spent seven years teaching before becoming a subject specialist for OCR, overseeing the new GCSE syllabus for drama which came into classrooms last year. Mark Glover spoke to her about her career, the challenges of instigating a specification and how digital theatre allows more students across the UK to take GCSE drama.
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One of three plays in the new Paines Plough rep season, How to be a Kid, by playwright Sarah McDonald-Hughes, explores challenges faced by young carers. Susan Elkin found out more.
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Poetry can sometimes struggle to shake off its inaccessible label, particularly in the classroom. Mark Glover asks if it’s time to start dovetailing modern with the traditional?