this month's
Ink Pellet contains
A Final Haunt
After 33 extraordinary years, Susan Hill’s The Woman in Black will haunt the stage of the Fortune Theatre for the final time, as the production ends in the West End on Saturday 4th March 2023. PW Productions announce that after 33 extraordinary years in London’s West End, the theatrical sensation that is Susan Hill’s THE […]
Reaching for the Moon
Susan Elkin paid a visit to Half Moon theatre in London’s East End to chat with CEO Chris Elwell about their extensive education outreach and innovative theatre programmes. Half Moon Theatre sits in the heart of Limehouse in the London Borough of Tower Hamlets, spitting distance from the DLR and mainline station. Formerly a pretty […]
National Youth Theatre Rep Company
The National Youth Theatre’s Rep Company is celebrating its first ten years and Susan Elkin paid a visit to learn more. Each year a group of fifteen or so talented NYT members, aged 18 to 25, are selected by audition to join this company. In just a few months they rehearse three shows, many of […]
Apprenticeships
An important and often overlooked route into the industry, especially for many non-performing roles. Susan Elkin has some suggestions. Theatre is like an iceberg. For every role on stage there are probably at least half a dozen technicians you can’t see. And the industry has been telling us for decades that there are skills shortages […]
School Shows
Never underestimate the power of a school production – for every single person involved. When you meet former students, sometimes from decades back in my case, it’s usually taking part in Oliver! or A Midsummer Night’s Dream that they reminisce about with shining eyes. Most importantly it’s a terrific bonding exercise. We hear a lot […]
New Perspectives
With three separate Lucian Freud exhibitions currently on, Graham Hooper took time to visit and here is his review of these contrasting shows. LLucian Freud would have been 100 this year, and that’s a good excuse to look back over his life and work, but especially his work, as the two have a rather nasty […]
Grandad Anansi – Half Moon Theatre
Predicated partly on Black History Month, Elayne Ogbeta’s muliti-layered play presents Grandad (Marcus Hercules) and his primary school age granddaughter, Abi (Jazmine Wilkinson) in his garden. Like everything else in this show, the garden designed by Sorcha Corcoran, is beautiful with lots of colour, light and plants that Grandad knows by name and talks to. […]
Theatre Review – The King of Nothing – Little Angel Theatre
Ben Glasstone’s charming, witty account of The Emperor Who Has No Clothes works well for two main reasons. First it is one of the most perceptive stories ever written, dealing as it does with vanity, self delusion, conformity and truth. It’s both topical and timeless. Second, we have a cost of living crisis and the […]
Book Review – Activist
by Louisa Reid Published by Guppy Books Cassandra, narrator of this powerful verse novel, is a reluctant sixth former in a prestigious mixed school, formerly all boys, where toxic culture simmers. Driven by her own experience, and by nature a feisty “shouter” she campaigns forcibly for acknowledgement that some of the boys at school treat […]
Book Review – A Poetry Pedagogy for Teachers: Reorienting Classroom Literacy Practice
by Maya Pindyck and Ruth Vinz, with Diana Liu and Ashlynn Wittchow The thrust of this detailed, well-researched, quite academic book about the poetry in classrooms is that we shouldn’t teach students to search for meaning so that “the poem becomes a specimen for examination under the microscope of interpretative practices”. Instead we should experience […]
Library
Ink Pellet’s book review section covers an eclectic selection of new fiction, teachers’ guides, audio books and classics.
Many of our reviews are written by teachers, so we have an expert eye on how texts will work in the classroom. We hope to create a useful archive of reviews so that you can use this as a reference. If you would like to join our panel of reviewers, please join in or email the editor john@inkpellet.co.uk. We hope the section inspires you to share new fiction with your pupils or to revisit old favourites yourself
-
This Autumn, Zest Theatre’s Youthquake, described as part show, part TED Talk and part party will be staged in 12 venues nationwide. The devised play, inspired by young people across the UK, is Artistic Director Toby Ealden’s most ambitious project yet and gives a powerful insight into the hidden lives and minds of Teen Britain. Here we catch up with director Toby Ealden to find out more.
-
Ensuring they remain as relevant as ever, LAMDA have introduced new syllabi for Communication, Performance, Group and Introductory. Susan Elkin spoke to LAMDA to find out more.
-
Now in its 7th year, the Into Film Festival returns this autumn bigger and bolder than ever, with free screenings and special events.
-
As Disney’s The Lion King celebrates its 20th anniversary in London, we look at the education opportunities available with Nancy Shakerley, Education and Outreach Manager at Disney Theatrical Productions
-
A lifelong lover of classical music, Susan Elkin extols its virtues and implores you to expose your students to more of it, for their benefit and possibly yours!
-
Taking in two current shows at the Tate Modern, our exhibition correspondent Graham Hooper was moved by the forces at work.
-
Susan Elkin chats to Paul Roseby OBE, CEO and Artistic Director of the National Youth Theatre.
-
Having ‘retired’ from running their hugely successful company, Oily Cart, Susan Elkin caught up with Tim Webb and Dave Bennett to find out what the future now holds in store.
-
Susan Elkin chats to Amy Leach, associate director, about the casting of a female lead and ensuring a contemporary production.
-
Birmingham Royal Ballet will be offering its second relaxed performances in early 2019 – a specially adapted production of Beauty and the Beast at the Mayflower Theatre, Southampton and Birmingham Hippodrome. Here, dancer Jonathan Payn describes his involvement in the planning of this special production. Please introduce yourself for us: I’m Jonathan Payn, First Soloist […]