this month's
Ink Pellet contains
A Final Haunt
After 33 extraordinary years, Susan Hill’s The Woman in Black will haunt the stage of the Fortune Theatre for the final time, as the production ends in the West End on Saturday 4th March 2023. PW Productions announce that after 33 extraordinary years in London’s West End, the theatrical sensation that is Susan Hill’s THE […]
Reaching for the Moon
Susan Elkin paid a visit to Half Moon theatre in London’s East End to chat with CEO Chris Elwell about their extensive education outreach and innovative theatre programmes. Half Moon Theatre sits in the heart of Limehouse in the London Borough of Tower Hamlets, spitting distance from the DLR and mainline station. Formerly a pretty […]
National Youth Theatre Rep Company
The National Youth Theatre’s Rep Company is celebrating its first ten years and Susan Elkin paid a visit to learn more. Each year a group of fifteen or so talented NYT members, aged 18 to 25, are selected by audition to join this company. In just a few months they rehearse three shows, many of […]
Apprenticeships
An important and often overlooked route into the industry, especially for many non-performing roles. Susan Elkin has some suggestions. Theatre is like an iceberg. For every role on stage there are probably at least half a dozen technicians you can’t see. And the industry has been telling us for decades that there are skills shortages […]
School Shows
Never underestimate the power of a school production – for every single person involved. When you meet former students, sometimes from decades back in my case, it’s usually taking part in Oliver! or A Midsummer Night’s Dream that they reminisce about with shining eyes. Most importantly it’s a terrific bonding exercise. We hear a lot […]
New Perspectives
With three separate Lucian Freud exhibitions currently on, Graham Hooper took time to visit and here is his review of these contrasting shows. LLucian Freud would have been 100 this year, and that’s a good excuse to look back over his life and work, but especially his work, as the two have a rather nasty […]
Grandad Anansi – Half Moon Theatre
Predicated partly on Black History Month, Elayne Ogbeta’s muliti-layered play presents Grandad (Marcus Hercules) and his primary school age granddaughter, Abi (Jazmine Wilkinson) in his garden. Like everything else in this show, the garden designed by Sorcha Corcoran, is beautiful with lots of colour, light and plants that Grandad knows by name and talks to. […]
Theatre Review – The King of Nothing – Little Angel Theatre
Ben Glasstone’s charming, witty account of The Emperor Who Has No Clothes works well for two main reasons. First it is one of the most perceptive stories ever written, dealing as it does with vanity, self delusion, conformity and truth. It’s both topical and timeless. Second, we have a cost of living crisis and the […]
Book Review – Activist
by Louisa Reid Published by Guppy Books Cassandra, narrator of this powerful verse novel, is a reluctant sixth former in a prestigious mixed school, formerly all boys, where toxic culture simmers. Driven by her own experience, and by nature a feisty “shouter” she campaigns forcibly for acknowledgement that some of the boys at school treat […]
Book Review – A Poetry Pedagogy for Teachers: Reorienting Classroom Literacy Practice
by Maya Pindyck and Ruth Vinz, with Diana Liu and Ashlynn Wittchow The thrust of this detailed, well-researched, quite academic book about the poetry in classrooms is that we shouldn’t teach students to search for meaning so that “the poem becomes a specimen for examination under the microscope of interpretative practices”. Instead we should experience […]
Library
Ink Pellet’s book review section covers an eclectic selection of new fiction, teachers’ guides, audio books and classics.
Many of our reviews are written by teachers, so we have an expert eye on how texts will work in the classroom. We hope to create a useful archive of reviews so that you can use this as a reference. If you would like to join our panel of reviewers, please join in or email the editor john@inkpellet.co.uk. We hope the section inspires you to share new fiction with your pupils or to revisit old favourites yourself
-
Toby Olié created and directed the puppets for Animal Farm which is currently touring nationwide. Susan Elkin spoke to him. How did you get into puppetry? I enjoyed Sesame Street as a child because the puppets exist within a human world and no one thinks anything of it. Then when I was eight years old […]
-
Chickenshed’s new spring show, The Washing Line, opens in March and explores the world of cults, through the story of Jim Jones and The People’s Temple, its ideals and aims and, ultimately, its horrific end. “We were looking for a better world. We found a nightmare” The cast includes 150 students, studying on Chickenshed’s inclusive […]
-
Forty years since its inception, Susan Elkin pays a visit to the Sylvia Young Theatre School in London to find out how this successful establishment is evolving. It’s always a pleasure to visit Sylvia Young Theatre School. Its astonishingly attractive building is a light, bright, lofty former church just off Edgware Road. Complete with stained […]
-
Mark Farrelly is an actor with four solo shows under his belt. He tours them continually, sometimes concurrently. Susan Elkin talks to him about his life and career to date. There is a dark depth in Mark Farrelly’s work which has struck me each of the three times I’ve seen him on stage. And it’s […]
-
A dozen not-to-be missed exhibitions around the country this coming year selected by Graham Hooper. As is traditional now for me in Ink Pellet, wishing you new year’s greetings for 2022, it gives me great pleasure to bring you the best of the year ahead in art. It’s another bumper year, back to the good […]
-
Susan Elkin makes a case that cultural diversity should not be at the expense of inclusivity. I live in the London Borough of Lewisham. It is, I learned recently, London’s most diverse borough. And that is one of the many things I love about it. When, five years ago, I moved back to my native borough […]
-
Isabel Adomakoh Young, 28, describes herself as a queer actor, and writer of English and Ghanaian origins with a determination for social change. She played Juliet (Black British Theatre Awards lead actress winner) in Open Air Theatre Regent Park’s Romeo and Juliet in summer 2021. Susan Elkin spoke to her. How did you get into […]
-
In this month’s feature on drama schools, Susan Elkin takes a look at the opportunities available at the Manchester School of Theatre.
-
Offering another route into the industry, apprenticeships are flourishing and Susan Elkin examined the opportunities offered by the Royal Opera House.
-
Fourth Monkey Actor Training Company is offering a course in Bristol. Susan Elkin talked to founder and artistic director, Steve Green about this new development.