this month's
Ink Pellet contains
A Final Haunt
After 33 extraordinary years, Susan Hill’s The Woman in Black will haunt the stage of the Fortune Theatre for the final time, as the production ends in the West End on Saturday 4th March 2023. PW Productions announce that after 33 extraordinary years in London’s West End, the theatrical sensation that is Susan Hill’s THE […]
Reaching for the Moon
Susan Elkin paid a visit to Half Moon theatre in London’s East End to chat with CEO Chris Elwell about their extensive education outreach and innovative theatre programmes. Half Moon Theatre sits in the heart of Limehouse in the London Borough of Tower Hamlets, spitting distance from the DLR and mainline station. Formerly a pretty […]
National Youth Theatre Rep Company
The National Youth Theatre’s Rep Company is celebrating its first ten years and Susan Elkin paid a visit to learn more. Each year a group of fifteen or so talented NYT members, aged 18 to 25, are selected by audition to join this company. In just a few months they rehearse three shows, many of […]
Apprenticeships
An important and often overlooked route into the industry, especially for many non-performing roles. Susan Elkin has some suggestions. Theatre is like an iceberg. For every role on stage there are probably at least half a dozen technicians you can’t see. And the industry has been telling us for decades that there are skills shortages […]
School Shows
Never underestimate the power of a school production – for every single person involved. When you meet former students, sometimes from decades back in my case, it’s usually taking part in Oliver! or A Midsummer Night’s Dream that they reminisce about with shining eyes. Most importantly it’s a terrific bonding exercise. We hear a lot […]
New Perspectives
With three separate Lucian Freud exhibitions currently on, Graham Hooper took time to visit and here is his review of these contrasting shows. LLucian Freud would have been 100 this year, and that’s a good excuse to look back over his life and work, but especially his work, as the two have a rather nasty […]
Grandad Anansi – Half Moon Theatre
Predicated partly on Black History Month, Elayne Ogbeta’s muliti-layered play presents Grandad (Marcus Hercules) and his primary school age granddaughter, Abi (Jazmine Wilkinson) in his garden. Like everything else in this show, the garden designed by Sorcha Corcoran, is beautiful with lots of colour, light and plants that Grandad knows by name and talks to. […]
Theatre Review – The King of Nothing – Little Angel Theatre
Ben Glasstone’s charming, witty account of The Emperor Who Has No Clothes works well for two main reasons. First it is one of the most perceptive stories ever written, dealing as it does with vanity, self delusion, conformity and truth. It’s both topical and timeless. Second, we have a cost of living crisis and the […]
Book Review – Activist
by Louisa Reid Published by Guppy Books Cassandra, narrator of this powerful verse novel, is a reluctant sixth former in a prestigious mixed school, formerly all boys, where toxic culture simmers. Driven by her own experience, and by nature a feisty “shouter” she campaigns forcibly for acknowledgement that some of the boys at school treat […]
Book Review – A Poetry Pedagogy for Teachers: Reorienting Classroom Literacy Practice
by Maya Pindyck and Ruth Vinz, with Diana Liu and Ashlynn Wittchow The thrust of this detailed, well-researched, quite academic book about the poetry in classrooms is that we shouldn’t teach students to search for meaning so that “the poem becomes a specimen for examination under the microscope of interpretative practices”. Instead we should experience […]
Library
Ink Pellet’s book review section covers an eclectic selection of new fiction, teachers’ guides, audio books and classics.
Many of our reviews are written by teachers, so we have an expert eye on how texts will work in the classroom. We hope to create a useful archive of reviews so that you can use this as a reference. If you would like to join our panel of reviewers, please join in or email the editor john@inkpellet.co.uk. We hope the section inspires you to share new fiction with your pupils or to revisit old favourites yourself
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Opera companies are engaging with more young people and schools, utilising the varied learning opportunities offered. Susan Elkin extolls the benefits of opera in education.
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A new initiative offering on the job theatre training for aspiring young actors is starting in January. Susan Elkin found out more and advises you take a closer look.
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Karen Latto spent seven years teaching before becoming a subject specialist for OCR, overseeing the new GCSE syllabus for drama which came into classrooms last year. Mark Glover spoke to her about her career, the challenges of instigating a specification and how digital theatre allows more students across the UK to take GCSE drama.
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One of three plays in the new Paines Plough rep season, How to be a Kid, by playwright Sarah McDonald-Hughes, explores challenges faced by young carers. Susan Elkin found out more.
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Poetry can sometimes struggle to shake off its inaccessible label, particularly in the classroom. Mark Glover asks if it’s time to start dovetailing modern with the traditional?
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As Chris Hocking takes over at the head of ArtsEd, Susan Elkin chats to him about his background and plans for this vibrant school
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The Birmingham Stage Comapany, one of the world’s leading producers of theatre for children, is celebrating its 25th anniversary and Susan Elkin met up with its founder Neal Foster We meet in his theatreland London office, a stone’s throw from Piccadilly Circus and not much further from the Garrick Theatre where Gangsta Granny is to […]
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Susan Elkin participated in a panel discussion on the current state of education, focussing on the detriment to learning caused by the paucity of arts subjects in the curriculum. 1968 was the year I started teaching. My e-book memoir Please Miss We’re Boys, details it amusingly – I hope. By some mysterious coincidental synergy, I was […]
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Sometimes great ideas spring from the unlikeliest of places. In 1974, an actual chicken shed on the very limits of North London was the venue for one of the first inclusive theatre companies in the UK. Mark Glover uncovers the routes of the Chickenshed. Susan Jamson, Chickenshed’s Press and PR Manager, has been with the […]
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The NT Connections Festival celebrated its 21st Anniversary with a record number of participating groups. Susan Elkin looks at this year’s final performers. Our play is preferred” shouts Bottom gleefully to Peter Quince and the other rude mechanicals in A Midsummer Night’s Dream when he hears that that they’ve been picked to perform at the Theseus’s three […]