this month's
Ink Pellet contains
The National Plan for Drama and Theatre Education
Following feedback from drama teachers, educators and other interested parties, The National Plan for Drama and Theatre Education document is now completed and you can find a direct link to the pdf here. This is a mammoth achievement and a feat of collaboration. It has been widely circulated including to the DfE Team, whose members are also […]
BROADWAY LICENSING GLOBAL OFFERS UK TEACHERS FREE PERUSALS FOR HARRY POTTER AND THE CURSED CHILD SECONDARY SCHOOL EDITION
The Critically Acclaimed Show Has Now Been Adapted for UK Secondary Schools (London)—Broadway Licensing Global London, Sonia Friedman Productions, Colin Callender and Harry Potter Theatrical Productions are thrilled to announce that secondary school teachers can now sign up for a free perusal script of Harry Potter and the Cursed Child Secondary School Edition. BLG London […]
A Final Haunt
After 33 extraordinary years, Susan Hill’s The Woman in Black will haunt the stage of the Fortune Theatre for the final time, as the production ends in the West End on Saturday 4th March 2023. PW Productions announce that after 33 extraordinary years in London’s West End, the theatrical sensation that is Susan Hill’s THE […]
Reaching for the Moon
Susan Elkin paid a visit to Half Moon theatre in London’s East End to chat with CEO Chris Elwell about their extensive education outreach and innovative theatre programmes. Half Moon Theatre sits in the heart of Limehouse in the London Borough of Tower Hamlets, spitting distance from the DLR and mainline station. Formerly a pretty […]
National Youth Theatre Rep Company
The National Youth Theatre’s Rep Company is celebrating its first ten years and Susan Elkin paid a visit to learn more. Each year a group of fifteen or so talented NYT members, aged 18 to 25, are selected by audition to join this company. In just a few months they rehearse three shows, many of […]
Apprenticeships
An important and often overlooked route into the industry, especially for many non-performing roles. Susan Elkin has some suggestions. Theatre is like an iceberg. For every role on stage there are probably at least half a dozen technicians you can’t see. And the industry has been telling us for decades that there are skills shortages […]
School Shows
Never underestimate the power of a school production – for every single person involved. When you meet former students, sometimes from decades back in my case, it’s usually taking part in Oliver! or A Midsummer Night’s Dream that they reminisce about with shining eyes. Most importantly it’s a terrific bonding exercise. We hear a lot […]
New Perspectives
With three separate Lucian Freud exhibitions currently on, Graham Hooper took time to visit and here is his review of these contrasting shows. LLucian Freud would have been 100 this year, and that’s a good excuse to look back over his life and work, but especially his work, as the two have a rather nasty […]
Grandad Anansi – Half Moon Theatre
Predicated partly on Black History Month, Elayne Ogbeta’s muliti-layered play presents Grandad (Marcus Hercules) and his primary school age granddaughter, Abi (Jazmine Wilkinson) in his garden. Like everything else in this show, the garden designed by Sorcha Corcoran, is beautiful with lots of colour, light and plants that Grandad knows by name and talks to. […]
Theatre Review – The King of Nothing – Little Angel Theatre
Ben Glasstone’s charming, witty account of The Emperor Who Has No Clothes works well for two main reasons. First it is one of the most perceptive stories ever written, dealing as it does with vanity, self delusion, conformity and truth. It’s both topical and timeless. Second, we have a cost of living crisis and the […]
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The Royal Shakespeare Company has come a long way since its early days as the ‘Shakespeare Memorial’, built on land donated in 1875 by Charles Flower. LESLEY FINLAY takes a whistle-stop tour of the company’s current activities…
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The Woman in Black has kept theatre audiences entertained for many years so how would a new film version fare with audiences? PAUL CADEN gives his verdict…
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The influence of Pablo Picasso on British art is explored in a major new exhibition at Tate Britain ….
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Monica Mason leaves a daunting legacy at The Royal Ballet and LESLEY FINLAY joined a tour of the exhibition of her life to find out more…
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English teachers might be feeling inspired after a recent speech from the head of OFSTED in which he said: ‘There can be no more important subject than English. It is at the heart of our culture and literacy skills are crucial to pupils’ learning for all subjects.’ I do feel guilty that I have not […]
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It is possible to make a career in the creative industries – it just takes some courage and determination but Blue Apple Theatre’s writer William Jessop knows all about that as LESLEY FINLAY discovers…
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Dr. Nick Walton is the Courses Development Manager of the Shakespeare Birthplace Trust and is one of our leading scholars of Shakespeare. Here he describes a typical day in his non-typical life…
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Well done, Polka Young Critic Theo Peters for a wonderful review. Consider yourself a published writer!
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ROBERT ICKE, Headlong theatre company’s associate director, took a break in rehearsals to talk to Lesley Finlay about his approach to Shakespeare’s Romeo and Juliet. Here he gives a revealing insight to the director’s art...
