this month's
Ink Pellet contains
A Final Haunt
After 33 extraordinary years, Susan Hill’s The Woman in Black will haunt the stage of the Fortune Theatre for the final time, as the production ends in the West End on Saturday 4th March 2023. PW Productions announce that after 33 extraordinary years in London’s West End, the theatrical sensation that is Susan Hill’s THE […]
Reaching for the Moon
Susan Elkin paid a visit to Half Moon theatre in London’s East End to chat with CEO Chris Elwell about their extensive education outreach and innovative theatre programmes. Half Moon Theatre sits in the heart of Limehouse in the London Borough of Tower Hamlets, spitting distance from the DLR and mainline station. Formerly a pretty […]
National Youth Theatre Rep Company
The National Youth Theatre’s Rep Company is celebrating its first ten years and Susan Elkin paid a visit to learn more. Each year a group of fifteen or so talented NYT members, aged 18 to 25, are selected by audition to join this company. In just a few months they rehearse three shows, many of […]
Apprenticeships
An important and often overlooked route into the industry, especially for many non-performing roles. Susan Elkin has some suggestions. Theatre is like an iceberg. For every role on stage there are probably at least half a dozen technicians you can’t see. And the industry has been telling us for decades that there are skills shortages […]
School Shows
Never underestimate the power of a school production – for every single person involved. When you meet former students, sometimes from decades back in my case, it’s usually taking part in Oliver! or A Midsummer Night’s Dream that they reminisce about with shining eyes. Most importantly it’s a terrific bonding exercise. We hear a lot […]
New Perspectives
With three separate Lucian Freud exhibitions currently on, Graham Hooper took time to visit and here is his review of these contrasting shows. LLucian Freud would have been 100 this year, and that’s a good excuse to look back over his life and work, but especially his work, as the two have a rather nasty […]
Grandad Anansi – Half Moon Theatre
Predicated partly on Black History Month, Elayne Ogbeta’s muliti-layered play presents Grandad (Marcus Hercules) and his primary school age granddaughter, Abi (Jazmine Wilkinson) in his garden. Like everything else in this show, the garden designed by Sorcha Corcoran, is beautiful with lots of colour, light and plants that Grandad knows by name and talks to. […]
Theatre Review – The King of Nothing – Little Angel Theatre
Ben Glasstone’s charming, witty account of The Emperor Who Has No Clothes works well for two main reasons. First it is one of the most perceptive stories ever written, dealing as it does with vanity, self delusion, conformity and truth. It’s both topical and timeless. Second, we have a cost of living crisis and the […]
Book Review – Activist
by Louisa Reid Published by Guppy Books Cassandra, narrator of this powerful verse novel, is a reluctant sixth former in a prestigious mixed school, formerly all boys, where toxic culture simmers. Driven by her own experience, and by nature a feisty “shouter” she campaigns forcibly for acknowledgement that some of the boys at school treat […]
Book Review – A Poetry Pedagogy for Teachers: Reorienting Classroom Literacy Practice
by Maya Pindyck and Ruth Vinz, with Diana Liu and Ashlynn Wittchow The thrust of this detailed, well-researched, quite academic book about the poetry in classrooms is that we shouldn’t teach students to search for meaning so that “the poem becomes a specimen for examination under the microscope of interpretative practices”. Instead we should experience […]
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JOSEPH BIRD interviews Daniel Raggett, Associate Director of 1984 at the Playhouse Theatre, about his inspiration, the new cast and his thoughts on the book ahead of its return to the London stage this summer. What inspired you to go down the career path of becoming a director? I was lucky enough to be taken […]
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The Regional Theatre Young Director Scheme is aiding more aspiring directors to gain experience and find their feet. SUSAN ELKIN discovers more. Many young people fall in love with theatre but soon discover that, for whatever reason, acting is not for them. Yet they want to be very actively involved in what happens on stage […]
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As NT Connections reaches 21 years, SUSAN ELKIN offers an insight into its continued success and hopes your school will participate next year. I saw and enjoyed Blackout by Davey Anderson at the Marlowe Theatre, Canterbury in April. It opens dramatically with 30 or so teenagers staring silently and balefully at their phones and then unravels […]
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Susan Elkin visits the Chichester Festival Theatre to chat with Dale Rooks and discovers a strong emphasis on nurturing young talent Chichester Festival Theatre’s recent production of The Enemy of the People featured two boys, alongside Hugh Bonneville and the rest of the cast. Alfie Scott and Jack Taylor are both members of CFT’s thriving […]
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GRAHAM HOOPER tears himself away from exam marking to take in the retrospective at the Jerwood Gallery in Hastings.
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Remember Joey from War Horse? Well, meet Oona the elephant. She’s full size and spectacular. Puppeted by four people, three inside her and one on her serpentine expressive trunk, she flaps her ears, rocks her head, farts and responds to everything going on around her. There’s also a magnificent tiger, pounding and snarling, a terrifying […]
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Published by Nick Hern Books BU21 by Stuart Slade is the touchingly topical story of six people of all different backgrounds and ways of life and how a single tragic event on Friday the 22nd July 2016 brought them all together. In writing BU21 (which is also the name of the airliner that is shot […]
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Chickenshed, whose slogan is “Theatre changing lives” is an inclusive theatre company in north London which also runs further and higher education courses. Since 2000 it has established 19 “sheds” in the UK and two in Russia to develop inclusive theatre elsewhere. Susan Elkin talks to Lou Stein who took over as director in April.
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Playwright Evan Placey chats to Susan Elkin about his Canadian roots, challenging writing and his concerns for the future of drama in schools Within a couple of minutes of our meeting, playwright Evan Placey and I are chatting comfortably about his partner Daniel and life in south London with the little boy (now 20 months) […]
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Once upon a time, in 1981, there were two men, a woman and a passion for theatre. Oily Cart, which specialises in theatre for young children and for those with special needs and disabilities (SEND) was on the way. Tim Webb shares memories and reflections with Susan Elkin in celebration of the company’s 35th anniversary. […]