this month's
Ink Pellet contains
The National Plan for Drama and Theatre Education
Following feedback from drama teachers, educators and other interested parties, The National Plan for Drama and Theatre Education document is now completed and you can find a direct link to the pdf here. This is a mammoth achievement and a feat of collaboration. It has been widely circulated including to the DfE Team, whose members are also […]
BROADWAY LICENSING GLOBAL OFFERS UK TEACHERS FREE PERUSALS FOR HARRY POTTER AND THE CURSED CHILD SECONDARY SCHOOL EDITION
The Critically Acclaimed Show Has Now Been Adapted for UK Secondary Schools (London)—Broadway Licensing Global London, Sonia Friedman Productions, Colin Callender and Harry Potter Theatrical Productions are thrilled to announce that secondary school teachers can now sign up for a free perusal script of Harry Potter and the Cursed Child Secondary School Edition. BLG London […]
A Final Haunt
After 33 extraordinary years, Susan Hill’s The Woman in Black will haunt the stage of the Fortune Theatre for the final time, as the production ends in the West End on Saturday 4th March 2023. PW Productions announce that after 33 extraordinary years in London’s West End, the theatrical sensation that is Susan Hill’s THE […]
Reaching for the Moon
Susan Elkin paid a visit to Half Moon theatre in London’s East End to chat with CEO Chris Elwell about their extensive education outreach and innovative theatre programmes. Half Moon Theatre sits in the heart of Limehouse in the London Borough of Tower Hamlets, spitting distance from the DLR and mainline station. Formerly a pretty […]
National Youth Theatre Rep Company
The National Youth Theatre’s Rep Company is celebrating its first ten years and Susan Elkin paid a visit to learn more. Each year a group of fifteen or so talented NYT members, aged 18 to 25, are selected by audition to join this company. In just a few months they rehearse three shows, many of […]
Apprenticeships
An important and often overlooked route into the industry, especially for many non-performing roles. Susan Elkin has some suggestions. Theatre is like an iceberg. For every role on stage there are probably at least half a dozen technicians you can’t see. And the industry has been telling us for decades that there are skills shortages […]
School Shows
Never underestimate the power of a school production – for every single person involved. When you meet former students, sometimes from decades back in my case, it’s usually taking part in Oliver! or A Midsummer Night’s Dream that they reminisce about with shining eyes. Most importantly it’s a terrific bonding exercise. We hear a lot […]
New Perspectives
With three separate Lucian Freud exhibitions currently on, Graham Hooper took time to visit and here is his review of these contrasting shows. LLucian Freud would have been 100 this year, and that’s a good excuse to look back over his life and work, but especially his work, as the two have a rather nasty […]
Grandad Anansi – Half Moon Theatre
Predicated partly on Black History Month, Elayne Ogbeta’s muliti-layered play presents Grandad (Marcus Hercules) and his primary school age granddaughter, Abi (Jazmine Wilkinson) in his garden. Like everything else in this show, the garden designed by Sorcha Corcoran, is beautiful with lots of colour, light and plants that Grandad knows by name and talks to. […]
Theatre Review – The King of Nothing – Little Angel Theatre
Ben Glasstone’s charming, witty account of The Emperor Who Has No Clothes works well for two main reasons. First it is one of the most perceptive stories ever written, dealing as it does with vanity, self delusion, conformity and truth. It’s both topical and timeless. Second, we have a cost of living crisis and the […]
The arts magazine for teachers
The latest curriculum review in the UK has once again ignited debate about the role of arts education in schools. While the review highlights a continued focus on STEM subjects and literacy, concerns are growing that creative subjects are being pushed further to the periphery.
Arts education is vital for developing critical thinking, creativity, and cultural awareness – skills that are just as essential in the modern workforce as mathematical and scientific proficiency. Yet, with increased emphasis on core academic subjects, funding cuts, and limited teaching hours for arts disciplines, we risk depriving students of opportunities to explore their creativity and develop essential skills in self-expression and problem-solving.
Educators and arts advocates have long warned against the marginalization of subjects like drama, music, and visual arts. A well-rounded education must strike a balance between academic rigor and creative enrichment, ensuring that all students – regardless of background – have access to artistic opportunities that can shape their futures.
As we navigate the implications of this curriculum review, it is crucial that we champion arts education and continue to advocate for its value in shaping well-rounded, innovative thinkers. Our schools must nurture not just knowledge, but imagination and expression. Let’s keep the conversation going.
In this latest issue, we feature the recent National Theatre Drama Teachers’ Conference, supporting drama teachers in their roles, celebrate 25 years of the Shakespeare Schools Festival and the 350,000 young people that have taken part over the years. We drop in on rehearsals of a new play by the Synergy Theatre Project, providing opportunities for people affected by the criminal justice system, plus, we have interviews with actor Jilly Bond, playwright Nilgün Yusuf, the latest reviews and what’s on listings.
Please pass on Ink Pellet to your colleagues and students.
John
Following feedback from drama teachers, educators and other interested parties, The National Plan for Drama and Theatre Education document is now completed and you can find a direct link to the pdf here. This is a mammoth achievement and a feat of collaboration. It has been widely circulated including to the DfE Team, whose members are also […]
The Critically Acclaimed Show Has Now Been Adapted for UK Secondary Schools (London)—Broadway Licensing Global London, Sonia Friedman Productions, Colin Callender and Harry Potter Theatrical Productions are thrilled to announce that secondary school teachers can now sign up for a free perusal script of Harry Potter and the Cursed Child Secondary School Edition. BLG London […]
After 33 extraordinary years, Susan Hill’s The Woman in Black will haunt the stage of the Fortune Theatre for the final time, as the production ends in the West End on Saturday 4th March 2023. PW Productions announce that after 33 extraordinary years in London’s West End, the theatrical sensation that is Susan Hill’s THE […]
Susan Elkin paid a visit to Half Moon theatre in London’s East End to chat with CEO Chris Elwell about their extensive education outreach and innovative theatre programmes. Half Moon Theatre sits in the heart of Limehouse in the London Borough of Tower Hamlets, spitting distance from the DLR and mainline station. Formerly a pretty […]
The National Youth Theatre’s Rep Company is celebrating its first ten years and Susan Elkin paid a visit to learn more. Each year a group of fifteen or so talented NYT members, aged 18 to 25, are selected by audition to join this company. In just a few months they rehearse three shows, many of […]
An important and often overlooked route into the industry, especially for many non-performing roles. Susan Elkin has some suggestions. Theatre is like an iceberg. For every role on stage there are probably at least half a dozen technicians you can’t see. And the industry has been telling us for decades that there are skills shortages […]
Never underestimate the power of a school production – for every single person involved. When you meet former students, sometimes from decades back in my case, it’s usually taking part in Oliver! or A Midsummer Night’s Dream that they reminisce about with shining eyes. Most importantly it’s a terrific bonding exercise. We hear a lot […]
With three separate Lucian Freud exhibitions currently on, Graham Hooper took time to visit and here is his review of these contrasting shows. LLucian Freud would have been 100 this year, and that’s a good excuse to look back over his life and work, but especially his work, as the two have a rather nasty […]
Predicated partly on Black History Month, Elayne Ogbeta’s muliti-layered play presents Grandad (Marcus Hercules) and his primary school age granddaughter, Abi (Jazmine Wilkinson) in his garden. Like everything else in this show, the garden designed by Sorcha Corcoran, is beautiful with lots of colour, light and plants that Grandad knows by name and talks to. […]
Ben Glasstone’s charming, witty account of The Emperor Who Has No Clothes works well for two main reasons. First it is one of the most perceptive stories ever written, dealing as it does with vanity, self delusion, conformity and truth. It’s both topical and timeless. Second, we have a cost of living crisis and the […]